Cushion | Femme au Chapeau – Picasso

Femme au Chapeau decorative cushion, based on a work drawn by Pablo Picasso in 1934.
Our colorful Picasso cushion cover brings an elegant and aesthetic “Arty” touch to your interiors. The works are reproduced in accordance with the colors of the original canvas and our cushions are made by la Maison Jules Pansu  with the permission of the Picasso Estate. Their products are woven using the jacquard technique in a workshop by the best workers in France. Les Tissages de la Lys located in Flanders in France.

Jacquard weaving – Cushion with removable cover – Back 100% cotton – Made in France

Composition: 75% Cotton – 25% Polyester

Cushion cover – Femme au Chapeau Picasso (1934) by Jules Pansu

• • Jacquard tapestry front
  • Brushed cotton back

Cushion dimensions of Femme au Chapeau 45 x 45 cm

75% Cotton 25% Polyester

In 2010, the house of Jules Pansu, creator and manufacturer since 1878, designed a first painter’s collection from the works of Pablo Picasso selected with the agreement of the Picasso Estate. The collection is inspired by the creative office of Jules Pansu and accompanied by the know-how of weavers “Meilleur Ouvrier de France” in his workshop.

Labeled “Entreprise du Patrimoine Vivant”, the French heritage dimension of the Jules Pansu house, combined with the international notoriety of the artist Pablo Picasso, made the collection an immediate success.

Easily the most celebrated Belgian artist of the twentieth century, Surrealist Rene Magritte is world renowned for his mysterious paintings and idiosyncratic juxtapositions. Born the eldest of three brothers in Lessines, Magritte began his fine art career after studying at Académie des Beaux-Arts in Brussels and finishing his obligatory military service in 1922. Taking up a job as a draughtsman at a wallpaper factory, Magritte soon began to pick up freelance design jobs, influenced by the work of Giorgio de Chirico. In the late 1920s he lived in Paris and began to forge strong connections with André Breton’s circle of Surrealists, including Max Ernst and Salvador Dali. It was in Paris that Magritte began experimenting with language, interjecting phrases, text and semantics into his illustrative paintings.

His provocative combination of text and object is exemplified in his iconic 1929 work, The Treachery of Images, which depicts a wooden smoking pipe along with the phrase “Ceci n’est pas une pipe.” The paradox in this work encourage viewers to question the “reality” created by images, emphasized by Magritte’s deadpan style. Like many of his Surrealist counterparts, the artist was deeply influenced by Freudian psychoanalysis, particularly the assigned significance of objects. Through his oeuvre, several reoccurring object motifs can be discerned including the pipe, the bowler hat, the shroud, and the apple.

Magritte’s work was widely influential during his lifetime and after his death in 1967. Over the last few years of his life, he was the subject of six major retrospectives, and was cited by many contemporary artists as a major influence, including Andy Warhol and Martin Kippenberger. In 2009 The Magritte Museum opened in Brussels, and is the largest archive of the artist’s work in the world, including pieces donated from Irene Hamoir Scutenaire, Margitte’s primary collector, and Georgette Magritte, his widow. His paintings are housed in the collections of institutions worldwide including Museum of Modern Art, New York, Philadelphia Museum of Art, Philadelphia, and the Tate Gallery, London, England.